February 05, 2010 in Current Affairs, Dropping Knowledge, Film, Television & Web Vid, Reviews, So Damn Lame, Writing | Permalink | Comments (0) | TrackBack (0)
A hilariously frank article by A History of Violence screenwriter Josh Olson. I can respect that.
I will not read your fucking script.
That's simple enough, isn't it? "I will not read your fucking script." What's not clear about that? There's nothing personal about it, nothing loaded, nothing complicated. I simply have no interest in reading your fucking screenplay. None whatsoever.
If that seems unfair, I'll make you a deal. In return for you not asking me to read your fucking script, I will not ask you to wash my fucking car, or take my fucking picture, or represent me in fucking court, or take out my fucking gall bladder, or whatever the fuck it is that you do for a living.
You're a lovely person. Whatever time we've spent together has, I'm sure, been pleasurable for both of us. I quite enjoyed that conversation we once had about structure and theme, and why Sergio Leone is the greatest director who ever lived. Yes, we bonded, and yes, I wish you luck in all your endeavors, and it would thrill me no end to hear that you had sold your screenplay, and that it had been made into the best movie since Godfather Part II.
But I will not read your fucking script.
At this point, you should walk away, firm in your conviction that I'm a dick. But if you're interested in growing as a human being and recognizing that it is, in fact, you who is the dick in this situation, please read on.
Yes. That's right. I called you a dick. Because you created this situation. You put me in this spot where my only option is to acquiesce to your demands or be the bad guy. That, my friend, is the very definition of a dick move.
Full piece at the Village Voice.
September 10, 2009 in Writing | Permalink | Comments (0) | TrackBack (0)
I called this months ago when I found out that it was the same writer that did both films; but I'm lazy and have no idea how to use video editing software. So here's some other dude's video. Swiped over at FilmDrunk. "If you see only one version of Forrest Gump this year, make it The Curious Case of Benjamin Button."
January 19, 2009 in Film, Television & Web Vid, Humor, Writing | Permalink | Comments (0) | TrackBack (0)
An email from XXXXX
January 07, 2009 in Writing | Permalink | Comments (0) | TrackBack (0)
Demetri Martin is a writer and a comedian. He has a show coming out on Comedy Central. I attended a taping last night. It's very funny. You should really watch it when it comes out. The following is excerpted from the NY Times without their express written consent or permission.
Snow Daze
By DEMETRI MARTIN
Published: January 1, 2006
Not too long ago it snowed in New York City. Here’s what I remember.
Morning. I wake up early, throw on some layers. I head out to get supplies for sledding. First stop: Union Square. I go into a store and manage to grab the last sled in stock - strong start. It’s a round tube. This is good. (Tube = ideal for jumping, because of padding.) Next stop: Toys “R” Us. I cross the square, leaving tracks. The snow in the city is white, for now. My face is cold. The city is quiet. I feel great.
Cellphone to ear, I make two calls. I get two voice mailboxes. I leave two messages: “Hey. It’s Demetri. We’re going sledding. Central Park. Call me, and I’ll give you the details.” Toys “R” Us is already out of sleds. (Probably swiped by some kids. Typical. They don’t have jobs, which gives them the advantage here.) The store still has pool floats, though. Perfect. I buy the last two Millennium Falcon pool floats and throw them into my backpack.
Back to the subway, heading north to snow country, a k a Central Park. First order of business: configure hat and headphones to provide the optimum combination of warmth and acoustics. This takes some time, because I have those headphones that go directly into the ears. And often, putting them on with a hat means stabbing myself in the ears. A little finessing. . .done.
On the train, I get down to business and start to inflate the tube. This is the same as starting to almost faint. I stop and give a nod to some nearby passengers (in order to take my vibe down from “crazy” to “just excited about sledding”). Inflation resumes.
Out of the train and into Central Park. More fresh snow. More phone calls. I make about a dozen, actually. And I get a dozen voice-mail greetings. Losers.
I walk deeper into the park and find a hill near 79th Street. It’s already crowded with families. Families and me. At first, my inner child sledder takes over. I scurry up the hill, wait in line and then cut in front of a couple of kids who seem to lack the passion I have for going next. But then, after a few runs and failed attempts at small talk, I realize something: I am a creep. (Note: Most parents don’t take kindly to lone, bearded sledsmen who try to talk shop with their kids - especially on the Upper West Side.) I decide it’s time to move on. Losers.
At 72nd Street, on the East Side, I find a pretty good hill. It’s wide. I do a few runs. Still no calls back. My friends are lame. I never realized how much better sledding is with human interaction. In that sense it’s like the opposite of using a bathroom. After learning my lesson at hill No. 1, I steer away from conversations. No chatter, just pure hill riding. (Note: This is even creepier than before - now I’m the antisocial grown-up solo-sledder guy.) Whatever. Time to move again.
Heading back west, I get two calls back. On the phone I emphasize that I have Millennium Falcon pool floats. Two friends are on their way up. Excellent.
Five minutes later, I come to the Bethesda Fountain, where I find a crowd of people watching one man ride his large tube down the stairs. He is the star of this makeshift slope - at least until now. When I arrive, he looks up at me and my tube and says simply, “This is awesome.” I agree. We both run to the top of the stairs.
A flat landing in the middle of stairs provides a jump of sorts. The possibilities excite me. He goes first and almost gets air. Now I go. And I most definitely get air. When I get to the bottom: applause. These people are clapping. They get me. My new best friend and I grab our tubes for another run. At the top of the hill a kid says to me, “You got air.” I say, “I know.” (Subtext: “No, you can’t try my pool float.”) This time I decide that I need a running start. I make the people behind me move to create a clearing. I also decide to go headfirst.
The crowd parts. Music: check. Goggles: check. Attitude: check, check. I dive onto the stairs. Immediately, I realize that I’ve made a grave miscalculation. In an instant I am airborne. But this kind of air doesn’t feel good. My legs rotate upward. My face downward. The tube deserts me. Uh, oh.
In the various experiences of my life up to then, I had never actually landed on my face. It wasn’t even on my radar of things to watch out for. I remember hearing a cracking noise and the music in my ears suddenly stopping. It was as if I knocked over a D.J. booth with my face - if the booth were made of ice. A moment later I was prostrate on the stairs. My hat was somewhere near the Great Lawn. My goggles were cracked. A lady retrieved my headphones. Also broken. Two people helped me to my feet. One thing life has taught me is that when strangers help you, something is definitely wrong. One man said, “You should be careful.” I wasn’t sure if I had broken my face or what. I walked away, still reeling, numb and kind of scared.
When my friends finally arrived, I told them about my near-seriously-hurt experience. The red marks on the right side of my face corroborated my story. I gave them the spaceships and just sat for a while, happy that my neck managed not to break and psyched that I got air. Man, I love snow days.
December 05, 2008 in Humor, Writing | Permalink | Comments (0) | TrackBack (0)
Excerpted from the Times.
Much of Mr. Wallace’s work, from his gargantuan 1996 novel “Infinite Jest” to his excursions into journalism, felt like outtakes from a continuing debate inside his head about the state of the world and the role of the writer in it, and the chasm between idealism and cynicism, aspirations and reality. The reader could not help but feel that Mr. Wallace had inhaled the muchness of contemporary America — a place besieged by too much data, too many video images, too many high-decibel sales pitches and disingenuous political ads — and had so many contradictory thoughts about it that he could only expel them in fat, prolix narratives filled with Möbius strip-like digressions, copious footnotes and looping philosophical asides. If this led to self-indulgent books badly in need of editing — “Infinite Jest” clocked in at an unnecessarily long 1,079 pages — it also resulted in some wonderfully powerful writing. The writer was found dead was found dead in his home on Friday, after apparently committing suicide.
September 15, 2008 in Current Affairs, Writing | Permalink | Comments (0) | TrackBack (0)
Should we begrudge David Bennioff his good fortune? He writes cool books, he writes cool movies, he's married to this chick ... and his latest novel, City of Thieves is one helluva read. I couldn't put it down. This will undoubtedly be made into a film in the coming year.
June 27, 2008 in Writing | Permalink | Comments (0) | TrackBack (0)
Excerpted from J.K. Rowlings commencement speech at Harvard. Swiped from BoingBoing. More here.
The fact that you are graduating from Harvard suggests that you are not very well-acquainted with failure....
I think it fair to say that by any conventional measure, a mere seven years after my graduation day, I had failed on an epic scale. An exceptionally short-lived marriage had imploded, and I was jobless, a lone parent, and as poor as it is possible to be in modern Britain, without being homeless. The fears my parents had had for me, and that I had had for myself, had both come to pass, and by every usual standard, I was the biggest failure I knew.
Now, I am not going to stand here and tell you that failure is fun. That period of my life was a dark one, and I had no idea that there was going to be what the press has since represented as a kind of fairy tale resolution. I had no idea how far the tunnel extended, and for a long time, any light at the end of it was a hope rather than a reality. So why do I talk about the benefits of failure? Simply because failure meant a stripping away of the inessential. I stopped pretending to myself that I was anything other than what I was, and began to direct all my energy into finishing the only work that mattered to me. Had I really succeeded at anything else, I might never have found the determination to succeed in the one arena I believed I truly belonged. I was set free, because my greatest fear had already been realised, and I was still alive, and I still had a daughter whom I adored, and I had an old typewriter and a big idea. And so rock bottom became the solid foundation on which I rebuilt my life. ,...Failure gave me an inner security that I had never attained by passing examinations. Failure taught me things about myself that I could have learned no other way....Such knowledge is a true gift, for all that it is painfully won, and it has been worth more to me than any qualification I ever earned....
June 10, 2008 in Dropping Knowledge, Writing | Permalink | Comments (0) | TrackBack (0)
"Behind every man now alive stand thirty ghosts, for that is the ratio by which the dead outnumber the living. Since the dawn of time, roughly a hundred billion human beings have walked the planet Earth. Now this is an interesting number, for by a curious coincidence there are approximately a hundred billion stars in our local universe, the Milky Way. So for every man who has ever lived, in this universe, there shines a star."
– Arthur C. Clarke (1917 - 2008)
March 22, 2008 in Writing | Permalink | Comments (0) | TrackBack (0)
Sure, you could argue that he was a misogynistic, macho asshole ... but c'mon, who hasn't stabbed a bitch? It's not like she died.
Norman Mailer wrote some great books, lived his life with passion and conviction and leaves behind a giant footprint. That's all anyone can hope for at the end of the day. I introduced myself to him outside of a subway station in Brooklyn Heights and told him I really enjoyed his books. He was very gracious and walked with the help of a cane with a silver wolfs head for a handle.
Little know Mailer facts:
Mr Mailer bit off a part of the actor Rip Torn's ear after Mr. Torn attacked him with a hammer during the filming of "Maidstone".
Mr. Mailer campaigned for mayor of New York. He ran as a secessionist candidate, campaigning to make New York City the 51st state.
November 10, 2007 in Writing | Permalink | Comments (0) | TrackBack (0)