Sam Rockwell is the best actor of his generation, and Duncan Jones is .... David Bowie's kid (for whatever that's worth) And I just really love the "isolation and identity" premise of this film. The following was lifted from the Sundance coverage over at Aussie film site, Dark Horizons.
Moon
Duncan Jones’ sci-fi thriller Moon is an entertaining and fascinating
film with a compelling performance, but a film that is more great entertainment
than great cinema. The film’s protagonist is Sam Bell (Sam Rockwell)
who is nearing the end of his contract with Lunar. He's been a faithful
employee for 3 long years where his home has been Sarang, a moon base
where he has spent his days alone, mining Helium 3. The precious gas
holds the key to reversing the Earth's energy crisis.
Isolated, determined and steadfast, Sam has followed the rulebook
obediently and his time on the moon has been enlightening, but
uneventful. The solitude has given him time to reflect on the mistakes
of his past and work on his raging temper. He does his job
mechanically, and spends most of his available time dreaming of his
imminent return to Earth, to his wife, young daughter and an early
retirement. His only companion to speak of, is a very advanced robot
[voiced by Kevin Spacey].
But two weeks shy of his departure from Sarang, Sam starts seeing
things, hearing things and feeling strange and when a routine
extraction goes horribly wrong, he discovers that Lunar have their own
plans for replacing him and the new recruit is eerily familiar.
What makes Moon work so effectively is the astounding performance of
Rockwell, whose scenes of isolation are mesmerizing but he ends up
delivering a multi-faceted performance that comes alive in unexpected
ways in the film’s second half. It’s fascinating to watch Rockwell, but
without revealing too much, it is astonishing what the actor does.
The film is imaginatively crafted by director Duncan Jones’ who, on a
small budget, has been able to visually replicate asspectes of the
moon’s surface and the interior of Sarang, stylishly and with a visual
depth one generally sees on higher budget studio films.
Jones, production designer Tony Noble and cinematographer Gary Shaw
give the audience a visual impression of depth that manages to make
Sarang an integral character in the film. Sharply edited, the film
sustains an atmosphere of dread throughout its climatic third act,
further enhanced by Rockwell’s nuanced performance.
The film has been pre-sold to Sony, but as yet it is unclear what
division of the studio will release it, but it has strong commercial
possibilities in particular with the lack of smart science fiction in
the market place. Moon is an unusual Sundance film as it is very
traditionally structured, but it is a vivid look at some pertinent
issues in the United States, and remains an entertaining, well-made
drama featuring a great central performance.